Las mascaras de lo jondo

Ferdinando Scianna
Franco Sciardelli

Gabriella Nessi Parlato, Gianni Berengo Gardin
Edition Raetia

Henri Cartier-Bresson
Edizioni Nava

Romeo Martinez
Electa editrice

Albert Saladini
jazz à juan

Henri Cartier-Bresson
Robert Delpire Editore/Artimport

s.a.
Gabriele Cappelletti arte contemporanea

Luigi Erba
Fotografia Italiana

Zoe Leonard
Centre National de la Photographie

Massimo Pacifico
Alinari

Andrei Navrozov
Hurtwood Press

Andrei Navrozov has described himself as a political refugee from Russia, a cultural refugee from America, and a gastronomic refugee from Britain. Yet the theme of his new book is altogether less flippant: where in the homogenizing and modernizing Europe would the hardened individualist find a last refuge? The answer to that question takes the reader on an uncompromising, occasionally eccentric but deeply personal and always entertaining travelogue with the author on his first day in Rome to his last night at the Venetian Hotel in Las Vegas, and through a number of Italian cities, with sidelong glances at 70s Moscow, 80s New York, and 90s London. All of which leads him to "home" and the end of his flight from social progress: Palermo. Italy. Accompanying him to each of these destinations is the author's Phiz, the Russian photographer Gusov. His forty-eight arresting images serve to give another dimension to Navrozov's ideas, arguments, and impressions.

Michael Busselle
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