Antique Flap Cabinet Directoire Walnut Drawers XIX Century - Central Italy, Early XIX Century

France, Late XIX Century

Gilt wood countertop clock with statue depicting a scholar. Enamelled metal dial with Roman numeral hours. Mechanism marked Japy Frères & Cie grande medaille d'Honneur 1855.

Italy, Late XIX-Early XX Century

Pair of bronze oil lanterns with wrought iron snake-shaped support.

France, Late XIX-Early XX Century

Countertop clock in golden antimony with plant and animal motif decorations. Porcelain elements decorated with decals of landscapes, gallant scene and panoply. Display with hours in Arabic numerals.

France, Late XIX Century

Freestanding clock with red marble base and leaf scroll decorations in golden antimony, surmounted by a sculpture depicting a water nymph. Sculptor's signature difficult to read. Mechanism marked AD Mougin.

France, Second Half XIX Century

Pendulum wall clock in embossed, gilded and chiseled bronze sheet metal with flower decorations and leaf scrolls. Dial with Roman numeral hours and pierced iron hands. Mechanism marked Japy Frères & Cie grande medaille d'Honneur.

France, Late XIX Century-Early XX Century

Triptych bronze and white marble clock with pair of three-flame candelabra. Enamelled metal dial with Arabic numeral hours protected by a curved glass cover. Finely pierced gilded bronze hands. The pendulum bears the effigy of the Sun King. Mechanism marked Samuel Marti Médaille d'Or Paris 1900.

Mixed media on paper. Delicate oval portrait of a young man, whose face and hair fade into the pastel colors of the background, which seems to be one with his figure. The work is presented in a contemporary frame.

France, Second Half XIX Century

Clock triptych in black marble and bronze with statues by Henri Honoré PLÉ, six-flame candelabra. Mechanism marked Japy Frères & Cie grande medaille d'Honneur.

Interior of Stable, 1889

Oil on hardboard. Signed and dated 11-30-1889 lower left. Delleani, who initially painted mainly historical subjects, progressively approached landscape painting "en plein air", especially of the places of his origins, the Piedmontese valleys, characterizing his views with chromatic vibrations and warm brightness. In the last decades of his life, however, he also allowed himself to be involved in the orientalist trend, but then returned to his landscape views, creating above all panels rich in warm colors and suggestive atmospheres. Rarer but equally evocative is his production of interiors, such as this one of a stable, where the animated figures, the sheep, appear as almost indistinct spots of color within an environment played entirely on the luminous effects of a single chromatic range. Restored and protected, the painting is presented in a gilded frame from the early 1900s.

Ballerina 1896

Mixed media on cardboard. Signed dated lower right. Adolfo Magrini was a multifaceted artist: painter, illustrator, engraver, set designer, after an initial production influenced by the romantic painting of Palizzi and Morelli, he was contaminated by Central European influences, becoming more angular. This youthful work is still influenced by the Neapolitan artists with whom he trained. The painting is presented in a frame from the first half of the 20th century. Has some color damage.