Italy, Second Quarter XIX Century

Ancient safe from the restoration period with internal walnut structure and iron cladding decorated with studs, Italy second quarter of the 19th century. Front with door decorated with lozenge elements and applied faces in classic bronze style; Steel door lock mechanism embellished with rosettes, leafy frets and engraved phytomorphic elements. Interior equipped with document compartments, six drawers, pair of shaped shelves and compartment located in the lower section, the latter hidden under a folding door with lock. Keys present. Small shortcomings.

Italy, Late XIX Century

Bronze sculpture depicting a faun with cymbals on a red marble base.

Europe, Mid XVII Century

Small wooden travel box covered with iron foil straps fixed with small studs. The metal bands are adorned with a decoration of vegetal racemes with flowers, made in embossed and burin. Between the metal plates the casket is covered in worked leather and features a Greek decoration and vegetal motifs. Interior covered in fabric.

China, Late XIX Century

Porcelain stool, richly decorated on the entire surface with a dragon and a phoenix within circular reserves on a continuous background of meanders and frets. Various decorative bands interspersed with reserves with plants and fruit embellish the upper edge and the seat.

Japan XIX Century

Pair of refined candle holders with evocative porcelain subjects mounted on burnished and gilded bronze garden seats. The two "Erxian"brothers of Chinese origin but replicated in the Hirado factories in the 19th century hold candle holders in the form of plants with flowering branches. The bronze settings were most likely made in Europe.

Central Italy Late 17th-early 18th century

Small silk tapestry, with some applied inserts in painted canvas, corresponding to the faces and hands of the characters. The scene depicts Plato's Academy, with the philosopher sitting on the ground, his back against a tree, dressed in a cassock and a mantle that drapes him, with his right hand holding a tablet or parchment. He is intent on carrying out a philosophy lesson, with the young students who surround him and with one of whom he is speaking in particular. Behind a rural landscape inhabited by men who are doing agricultural work: some intent in sowing, some in harvesting and some, again, in cutting down a tree with an ax. In the background, to the right of the main group, a turreted construction can be seen, while to the left an ancient herm. Inserted in a coeval frame, molded in several orders with ebonized parts alternating with others veneered in tortoiseshell.

France Mid 1900s

Pair of lamps in cut crystal and bronze with fabric lampshades. Adhesive label of the manufacturer under the base of a lamp.

Parma Mid 18th century

Baroque double body sideboard, supported by carved shelf feet, in the lower part it has four doors with tiles, also in the upper part there are four degrees doors, here decorated with characteristic tiles. Entirely lacquered in blue.

Japan, Meiji Era 1890 ca

Large polylobed cloisonné enamel plate decorated with multiple concentric orders. A delicate composition of flowers and birds decorate the central part, all in the style of Namikawa Yasuyuki.

18th Century / 1701 - 1800

Pair of neoclassical consoles from Piacenza, supported by truncated pyramidal legs ending with pear-shaped feet, in the upper part they are tightened by collars. Walnut.

Central Italy, Third Quarter XVIII Century

Antique frame in carved and gilded linden wood, central Italy, third quarter of the 18th century. Richly carved with vine leaves and bunches of grapes; in the top section it has a mobile flagpole decorated at the ends with pine cone-shaped plant elements.

Emilia Half XVIII Century

Group of four Baroque mirrors carved with scrolls and floral motifs, entirely gilded with leaf; the mercury mirrors (one broken) are etched, with figures of classical divinities.

18th Century / 1701 - 1800

Marie Theresa chandelier with 12 lights, dating back to the end of the 18th century. Iron branches, the supporting ones are covered in glass, the bobeches are in cast bronze. The chandelier is adorned with bevelled glass pendants and adorned with different motifs, alternating between them on the different floors. The central column was probably added in the 19th century.

Charles Table

Console from the Charles X period, made of walnut with maple inlays, uprights with opposing volutes rest on a base supported by curly feet, in the bottom an opening door gives access to some compartments. The whole surface is inlaid with phytomorphic motifs; white marble top.

China, Shunzhi Era (1644-1661)

Porcelain vase painted with wucai enamels within reserves with decoration of chrysanthemum plants and peonies on a very dense background with a fish scale motif painted in red.

Italy, Late XIX Century

Pair of portrait frames in bronze and semi-precious stones Enrico Bosi Florence. Enrico Bosi was active between 1850 and 1865 in Florence where he had his studio. He often worked together with other important figures such as Francesco Betti, Bianchini and the Buoninsigni brothers.

Europe Second Half of the 19th century

Young woman automaton with guitar. On an ebonized wooden base with vegetal motif decorations and gilded bronze applications rests a young woman with a guitar. Porcelain head, fabric dress with trimmings and lace.

France, Late XIX Century

Napoleon III side table in marquetterie exotic wood and bois de violette, France, late 19th century. Upper surface equipped with a removable glass tray and connected to the lower surface by wavy uprights. Entirely decorated with finely chiseled gilded bronzes, used to make the edge of the tops, the handles and the classic-style applications depicting corncucopias, leafy and floral elements, ribbons and masks. The goat-shaped shoes are also in gilded bronze. Restored.

Carlo X triclinium sofa

Dormouse, Charles X period, in walnut inlaid with maple; shaped backrest. side by boat with curled feet, the whole surface is inlaid with phytomorphic motifs

Cupboard with Showcase

Small sideboard with two doors and two drawers surmounted by a showcase with side shelves supported by thin turned uprights. The panels of the doors like those of the sides of the riser contain floral ceramics, in the center of the door with glass there is a bas-relief ceramic panel with the allegory of painting, this is an indecipherable signature, on the back the "Goldchelder Wien" brand , referable to the well-known Viennese ceramics factory and engraved with the numbers "0764 / 16 / 30&". The wavy feet, the cymatium, like the rest of the piece of furniture, have small "whiplash"carvings and carved florals, defined by gilding and lacquering. Brass-coated frames, hardware, worked in floral style with partly gilded copper sheet flowers and fruits.