Chest Of Drawers Barocchetto Maple Poplar Bronze Emilia Italy 1700
Features
Style: Barocchetto (1720-1770)
Age: 18th Century / 1701 - 1800
Origin: Emilia Romagna, Italy
Main essence: Maple , Walnut , Poplar
Material: Bronze , Maple Burl , Glass
Description
Large chest of drawers with barocchetto shelf from Emilia, with the typical curved and rounded on silhouette on the front and on the sides, which can be opened. Supported by curved feet, the under-the-top band is shaped, it has three drawers and two upper ones side by side, under the top. The shelf has a grooved base with a drawer and a smaller drawer on the front: the upper part with glass panels on the front and on the sides used to be a display case for a statue, which originally could only be opened with a door on the back, but it was modified in the 19th century by adding a wooden panel on the back, while a small door and a shelf have been added on the front. Maple burl veneer with walnut edges, the interiors are in poplar, the handles are in bronze with pendants and nozzles with a coat of arms depicting a pair of rampant lions topped by a two-headed eagle with the imperial crown.
Product Condition:
Fair condition. Wear consistent with age and use. Any damage or loss is displayed as completely as possible in the pictures. Product with a Certificate of Authenticity and Lawful Origin.
Dimensions (cm):
Height: 256
Width: 157,5
Depth: 64
Certificate issued by: Enrico Sala
Additional Information
Style: Barocchetto (1720-1770)
With this term we designate, for what specifically relates to furniture, a part of the production carried out in Italy in the period of time between the Rococo era and the first phase of neoclassicism.It is characterized by the formal and decorative structure still rigidly adhering to the dictates dear to the Baroque period (hence the term baroque) and to the Louis XIV fashions and yet the new times are captured in the adoption of smaller volumes, more decorative modules. elegant, often directly inspired by French fashion, but always executed with rigorous principles of ornamental symmetry.
The tendency to assimilate formal and volumetric novelties but not to incorporate their ornamental elaboration finds natural explanation in Italy in the fact that in this century the great aristocracy experienced an unstoppable political and economic decline.
If in the previous century there was a great profusion of furnishings destined to adorn newly built homes, to proudly show the power of the client family, in the eighteenth century they rather take care to update the building with only the furniture strictly necessary for the new needs imposed by fashion or functional needs.
The old scenographic apparatus is maintained and the new must not contrast too much.
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Age: 18th Century / 1701 - 1800
18th Century / 1701 - 1800Main essence:
Maple
Hard, light wood used for inlays. It grows mainly in Austria, but it is widespread throughout the northern hemisphere, from Japan to North America, passing through China and Europe. It is one of the lightest woods ever, tending to white, it is similar to lime or birch wood. The briar is used in the production of ancient secretaires .Walnut
Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.Poplar
Essence considered "poor", it is a white wood, with yellowish or greyish shades, light and tender, which is easily damaged. It is used for rustic furniture or in the construction of furniture. The most valuable use it has had in the history of furniture is in Germany, in the 19th century, for veneers and inlays in the Biedermeier period.Material:
Bronze
Maple Burl
Glass
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Approfondimenti
Scopri di più su cassettiere e comò grazie ai nostri approfondimenti:La storia nascosta in due antichi cassettoni
Conoscere il Neoclassicismo attraverso un cassettone piacentino
Un comò piemontese influenzato dal fascino per l'Oriente
Un signorile comò rococò napoletano
Una caratteristica cassettiera con alzata emiliana di perfetto gusto barocchetto
E per gli appassionati dal gusto più raffinato, c'è FineArt:
Commode a tre cassetti G.B.M., inizio XIX secolo
Canterano dipinto
Canterano emiliano, primo quarto XVIII
Cassettone a ribalta romano, secondo quarto XVIII secolo
Comò attribuito a Luigi Viglione, Luigi XVI, fine XVIII, Torino
Coppia di comò e comodino di Maggiolini
Sull'antiquariato in generale dai un'occhiata anche a
Classic Monday: da un pezzo dei nostri magazzini alla storia dell'antiquariato
L'antiquariato dalla A alla Z: il Dizionario dell'Antiquariato
Il dizionario dell'antiquariato - Lastronatura
Il dizionario dell'antiquariato - Mascherone
Il dizionario dell'antiquariato - Natura morta
Il dizionario dell'antiquariato - Opificio
Il dizionario dell'antiquariato - Pastiglia
Il dizionario dell'antiquariato - Savonarola
Il dizionario dell'antiquariato - Rosone
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